Christopher Reyes

Christopher Reyes

Immigrant Voices

A large-scale poster experimenting with expressive typography as part of a class-wide installation highlighting various immigrant stories, both past and present. Originally made in Fall 2018, then remade in Fall 2019 for a Senior Design Exhibition.

My piece focuses on the Puerto Rican diaspora post-Hurricane Maria, specifically featuring the voices of multimedia journalist Natalia Muñoz, and Nuyorican poet Caridad de la Luz surrounding themes of identity, nationalism, and US imperialism.

Communication Studio III

Fall 2018

↑ Hurricane San Ciriaco had come at a time where the US had just taken control over the island from Spain. Relief efforts after the storm were lackluster at best as the United States juggled establishing a new government, feeding its people, and resurrecting a decimated agricultural economy.

↑ Poster iterations started broad, with value studies and collaged type experiments.

Puerto Rican identity is undeniably complex. The Jones–Shafroth Act of 1917, among other things, granted those from the island U.S. citizenship. While now technically American, it's an uneasy dynamic—serving in U.S. wars but ineligible to vote for an American president, being a territory of the US but slow to receive aid.

The perspectives I chose helped give me an understanding of the range of perspectives regarding Puerto Rican identity, particularly after Hurricane Maria. Ultimately, I used the poetry of Caridad de la Luz to highlight the narrative of Natalia Muñoz and the tension that comes from sharing an identity with an imperial power with none of the aid.

Explored Narratives